ОРУС КОМПОЗИТОРЛОРУНУН КЫРГЫЗСТАНДАГЫ ФОРТЕПИАНО МУЗЫКАСЫНЫН ӨНҮГҮШҮНӨ ТИЙГИЗГЕН ТААСИРИ
DOI:
https://doi.org/10.52754/16948823_2023_2(2)_8Keywords:
seketbay, kuydum chok, dream, piano, music, orchestraAbstract
The novelty of our article is the explication of the first renewal of the culture of the Kyrgyz people at that time, when they chose the socialist life from the feudal life of a century, and gradually entered the path of national-professional culture. Then, among the population, simple songs are performed with komuz or individual performances, while at parties and entertainments, mass-type performances such as "Seketbay", "Kurudum Chok", "Arman" are sung to the accompaniment of each other like an acapella. From the twenties of the 20th century, the assimilation of the cultures belonging to the nationalities gradually took shape, which gave impetus to the creation of theater, cinema, and schools. The transformation of national instruments into a symphony orchestra has set requirements for comprehensive development of national art. We have shown that the level of instruments belonging to the nation that we use on a daily basis should be supplemented with world musical instruments for the further development of live creativity.
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